SYMPATHY

 

   Year.........: 2007
   Director...: Andrew Moorman
   Writer......: Arik Martin
   Cast.........: Steven Pritchard
                      Aaron Boucher
                      Marina Shtelen

When a reckless bank robber and his rebellious teenage hostage hole up for the night in a bad motel, anything can happen. A mysterious stranger and dark twists of fate send this night into a descent of bloody madness in this deadly game of cat and mouse where nothing is what it seems. Lock yourself in for this bloody tale that is equal parts classic suspense thriller and grindhouse horror.  

 

Fifteen minutes into Sympathy and suddenly a profound sense of chlosterphobia had begun to settle in. Feelings of being trapped, encapsulated in this constantly tightening hotel room filled with anger and hostility started brewing. I loved it.

But first we need to backtrack and introduce the three sole characters of this little chunk of cinema gold.  Into the four-walled restraint walks Trip (Steven Pritchard), with his uncooperative and feisty hostage Sara (Marina Shtelen). Unwillingly, Sara gets shackled to the bed and now the questioning within yourself begins. Did Trip kidnap her? Is Sara his hostage? Would she escape? Who is this skinny punk Trip and what does he want with the innocent-looking Sara? How and why did they end up in a beat-up and run down hotel room? This internal head game causing bone-cracking frustration and puzzlement keeps you on the edge of your seat.

By the time escaped convict Dennis (Aaron Boucher) popped on screen, Sympathy was beginning to display SAW-like elements. Three people in a limited amount of unmoving space makes for an unnerving experience. I was lost in an abyss of uncertainty yet I was being deeply entertained thanks to the direction of Andrew Moorman. His amazing realization that audio really does make up 50% of a movie was spot on. Silence would arise suddenly, as if your headphones were ripped right out of your iPod to enhance feelings of shock and fear. Or the camera would abruptly cut to a rusty old light while a powerful jolt from your speakers would emanate as the broken down bulb flashed on to magnify future intensity of a scene.

At times the movie felt a bit stagnant, where I just wanted something to happen. However, what adds to Sympathy being a superb flick is the final ten minutes. Although the conclusion is stuffed with twists and turns, it still manages to make sense of every event that took place prior. Sympathy will fill the gaping hole that's been created by many of the recent Hollywood duds.

 

You'll get slapped in the face with some mild cannibalism, spiny blade stabbings, and some close-range gunshots.

 

Crank up your Dolby Digital receiver to max and enjoy the chaotic bliss that is the film's audio score. A heavy dose of ear-piercing noise and sound effects really make Sympathy rise to the top.

 

Andrew Moorman has proven that when you have vision and true talent in filmmaking, you don't allow four small numbers like $6,500 (budget of the film) to constrict you. What he crafted was raw and nasty, and it ultimately delivers. You'll be surprised at how entertaining a movie can be when it never leaves a single hotel room!